Performing Empire: Theater and Colonialism in Caroline Link’s Nirgendwo in Afrika
TRANSIT vol. 12, no. 2 Peter Erickson Download PDF Abstract In Caroline Link’s popular 2001 film Nirgendwo in Afrika, a Jewish family fleeing the Holocaust finds refuge in British-controlled Kenya. Theater plays a crucial role in the film: Members of the Redlich family explicitly call upon one another to engage in roleplaying. They make use […]