Performing Empire: Theater and Colonialism in Caroline Link’s Nirgendwo in Afrika
TRANSIT vol. 12, no. 2 Peter Erickson Download PDF Abstract In Caroline Link’s popular 2001 film Nirgendwo in Afrika, a Jewish family fleeing the Holocaust finds refuge in British-controlled Kenya. Theater plays a crucial role in the film: Members of the Redlich family explicitly call upon one another to engage in roleplaying. They make use […]
Multicultural Germany Class Final Paper: Staged Realities
At the end of the past semester, students in the Multicultural Germany class at UC Berkeley wrote final papers on topics of their choosing. To conclude our series of posts from this class, we are delighted to share several of their papers here. This paper is by Treasure Nguyen, who wrote about Rainer Werner Fassbinder’s 1974 film, Angst […]
Homeland, Bittersweet Homeland
“Heimat, bittersuesse Heimat” (or “Homeland, Bittersweet Homeland”) is an all-black satirical theatre production that showcases real-life experiences of minorities living in a prejudiced but politically-correct society. The sketches also address cultural identity and its fluidity when the actors move smoothly from a German waltz to an African freestyle dance. While the theater group is based in […]