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logo main
  • About
    • About TRANSIT Journal
    • TRANSIT Journal Editorial Boards
    • TRANSIT Blog Editorial Board
    • Join Us
    • Current CfP
  • Past Issues
    • 14.2 Borderlands
    • 14.1 Borderlands
    • 13.2: Archival Engagement
    • Special Issue: Homeland
    • 13.1: Traveling Forms
    • 12.2: Landscapes of Migration
    • 12.1: Landscapes of Migration
    • 11.2: Reflections on a Changing Europe
    • 11.1: Reflections on a Changing Europe
    • 10.2: The Future of the Past
    • 10.1: The Digital German Humanities & Barriers
    • See More
  • FAQ
  • Submit
    • Submit
    • Current CfP
    • Multimedia, Translations, Creative Work
    • Book Reviews
    • Copyright
  • NEW: Transit Blog
  • Resources
    • Chronology in English
    • Chronologie auf Deutsch
    • Asian German Filmography: A Teaching Guide
    • Archives of Migration
    • Publications
    • Filmography
    • Bibliography
    • Links
    • Non-Governmental Organizations and Foundations
    • Media and Internet Periodicals
Photo by Kayla van Kooten
Photo by Kayla van Kooten
Photo by Kayla van Kooten
Photo by Kayla van Kooten
Photo by Kayla van Kooten
Photo by Elizabeth Sun
Photo by Elizabeth Sun
Photo by Jon Cho-Polizzi
Photo by Fengyu Wang
Photo by Jon Cho-Polizzi
Photo by Fengyu Wang
Photo by Kayla van Kooten
Photo by Kayla van Kooten

Transit Journal

VOLUME 14, ISSUE 2, 2024

BORDERLANDS

Elizabeth Sun, Managing Editor

Kayla Rose van Kooten & Sean Lambert, Co-Managing Editors

FOREWORD

Foreword by the Managing Editor

by Elizabeth Sun

FEATURE ARTICLES

“With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016)”

by Roy Grundmann

“Narratives and Counternarratives of German Borderscapes in Olivia Wenzel’s 1000 Serpentinen Angst”

by Dora Rusciano

FEATURE TRANSLATIONS AND CRITICAL INTRODUCTIONS

“The Cousin”

by Nava Ebrahimi

translator’s introduction by Kelsi Morefield

“A Second Attack”

by Çetin Gültekin and Mutlu Koçak

translator’s introduction by Elizabeth Sun

Songs of the Refugees

by Irmgard Keun

translator’s introduction by Anna Lynn Dolman

“Cohesion Without Coherence: Artificial Intelligence and Narrative Form” Commentary On:

I was received by the city as I stepped into the world again

by Hannes Bajohr

translator’s introduction by Kayla Rose van Kooten

EDITORIAL BOARD

© TRANSIT Journal | University of California, Berkeley | Department of German

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