Polyphone Auseinandersetzungen mit kulturellen Bildern, Vorurteilen und Rassismus im Hörspiel “Bitmemiş – not finished yet” (2019) von Ralf Haarmann und Tuğsal Moğul
Picture Source: Westdeutscher Rundfunk Guest contributor Monika Preuß (Technische Universität Dortmund), author of the MGP blog post series on German radio plays, analyzes the portrayal of lived experiences of Turkish German immigrants across generations in Ralf Haarmann’s recent radio play, Bitmemiş – not finished yet (2019). Das Hörspiel Bitmemiş – not finished yet des Komponisten […]
Zerrissene Perspektiven auf die Anhörung im Asylverfahren in zwei Hörspielen
Bildquelle: Bayerischer Rundfunk Guest contributor Monika Preuß (Technische Universität Dortmund), author of the three-part MGP blog post series on radio plays about the NSU trial, analyzes the rare representation of the interrogation of asylum seekers in two recent German radio plays, “Die Anhörerin” and “Die Ohrfeige,” demonstrating both the ethical dilemma that the German bureaucrat […]
Multifaceted Views on the Interrogation of Asylum Seekers in Two German Radio Plays
Picture Source: Bayerischer Rundfunk Guest contributor Monika Preuß (Technische Universität Dortmund), author of the three-part MGP blog post series on radio plays about the NSU trial, analyzes the rare representation of the interrogation of asylum seekers in two recent German radio plays, “Die Anhörerin” and “Die Ohrfeige,” demonstrating both the ethical dilemma that the German […]
Radio Plays about the Crimes of the NSU: Part III – From the Victims’ Perspective
In the last installment of the three-part series on the NSU trial, guest columnist Monika Preuß focuses on the personal narratives of the victims of crimes committed by NSU members. You can read this post in the original German here. The first installment of the series, an introduction to the NSU trials and the major […]
Hörspiele zum NSU-Verbrechen: Teil III – Einblick in die Perspektive der Opfer
In the last installment of our three-part series on the NSU trial, guest columnist Monika Preuß focuses on the personal narratives of the victims of crimes committed by NSU members. You can read this post in English translation here. The first installment of the series, an introduction to the NSU trials and the major radio […]
Hörspiele zum NSU-Prozess: Teil II – Auditive Dissonanzen im Gerichtssaal und in der Öffentlichkeit
In this second installment of the three-part blog post series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the trial participants and the general public. You can read an English translation of this text […]
The NSU Trial in Radio Plays: Part II – Cacophony in the Courtroom and the Media
In this second installment of the three-part series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the trial participants and the general public. You can read this post in the original German here. The […]
Hörspiele zum NSU-Prozess: Teil I – “Saal 101”
The 2021 election year in Germany is destined to be a year of heated political debates on the country’s past and future. While right-wing extremism is still on the rise in some parts of Germany, politicians and legal practitioners are more determined to combat xenophobia and violence than ever. In a new three-part series for […]
The NSU Trial in Radio Plays: Part I – “Saal 101”
The 2021 election year in Germany is destined to be a year of heated political debates on the country’s past and future. While right-wing extremism is still on the rise in some parts of Germany, politicians and legal practitioners are more determined to combat xenophobia and violence than ever. In a new three-part series for […]