Picture Source: Westdeutscher Rundfunk Guest contributor Monika Preuß (Technische Universität Dortmund), author of the MGP blog post series on German radio plays, analyzes the portrayal of lived experiences of Turkish German immigrants across generations in Ralf Haarmann’s recent radio play, Bitmemiş – not finished yet (2019). Das Hörspiel Bitmemiş – not finished yet des Komponisten […]

Bildquelle: Bayerischer Rundfunk Guest contributor Monika Preuß (Technische Universität Dortmund), author of the three-part MGP blog post series on radio plays about the NSU trial, analyzes the rare representation of the interrogation of asylum seekers in two recent German radio plays, “Die Anhörerin” and “Die Ohrfeige,” demonstrating both the ethical dilemma that the German bureaucrat […]

Picture Source: Bayerischer Rundfunk Guest contributor Monika Preuß (Technische Universität Dortmund), author of the three-part MGP blog post series on radio plays about the NSU trial, analyzes the rare representation of the interrogation of asylum seekers in two recent German radio plays, “Die Anhörerin” and “Die Ohrfeige,” demonstrating both the ethical dilemma that the German […]

In this second installment of the three-part blog post series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the trial participants and the general public.  You can read an English translation of this text […]

In this second installment of the three-part series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the trial participants and the general public.  You can read this post in the original German here. The […]