Not Another Exilic Movie: Alienation and the Everyday in Shahid Saless’s Reifezeit and Tagebuch eines Liebenden

TRANSIT vol. 12, no. 1 Kumars Salehi Download PDF Abstract When Sohrab Shahid Saless has been acknowledged, he has generally been placed between nations, in a position of dauntingly uncategorizable otherness as an exilic filmmaker reduced to the interstices of Iran and Germany whose films are best interpreted according to autobiographical details. For his part, […]