TRANSIT Vol. 13, No. 1 Aron Korozs Download PDF Abstract Since the fall of the Berlin Wall, art historians and urban studies scholars have been pleading for a more nuanced analysis of the Bauhaus in order to divorce from the one-sided affirmative reading of the iconic German art school. Yet, within the prevailing heroic narrative […]

TRANSIT vol. 10, no. 2 Barbara Kosta Download PDF Abstract The following paper explores the relationship between Josef von Sternberg’s 1930 film The Blue Angel and Edward Dmytryk’s 1959 remake to consider what happens when an “original” film is repurposed to address another socio-historical time period, and cultural and national setting. The similarity and, more […]