By Heribert PrantlTranslated By Annika Orich Download PDF The tragedy of Lampedusa has a prelude—a “prologue,” as it is properly called in the dramatic genre of tragedy. This prologue began 22 years ago, in August 1991, right in the middle of the Italian tourist season. Ten thousand refugees from crumbling Albania arrived in Southern Italy […]

By Özkan Ezli and Gisela StaupeTranslated by Jillian Saucier Download PDF Occasion for the Book: The Exhibition Why is the German Hygiene Museum showing a large special exhibition with the title “Das neue Deutschland. Von Migration und Vielfalt” (The New Germany: On Migration and Diversity)? Varying forms of migration—immigration and emigration, asylum and expulsion, migrant and […]

By Sabahattin AliTranslated by David Gramling and Ilker Hepkaner Download PDF Abstract: With the consent of the original rights-holders Onk Ajans Instanbul and the author’s daughter Filiz Ali; translation rights for the novel in its entirety remain with Onk Ajans Istanbul. In this “Europe”, I expected I would learn a foreign language and read books in that language, […]

Kristin Dickinson Download PDF Abstract: Introduction to David Gramling and Ilke Hepkaner’s translation of The Madonna in the Fur Coat. A trailblazer in the genre of social realism in Turkey, Sabahattin Ali was a leading author of the early Republican period. Based on his diverse experiences, Ali’s novels and short stories cover a diverse range of […]

Network Politics, Wireless Protocols, and Public Space Erik Born This paper unravels the implications of wireless technology (e.g., GPS, RFID, Wi-Fi) for our understanding of public space in the digital age. I argue that the current push for ubiquitous connectivity, even in community wireless networks and the open spectrum movement, still relies on a rhetoric […]

Digital Reading and the Post-Forensic Imagination Lutz Koepnick New media theory and criticism remain deeply entangled in what Matthew Kirschenbaum has called the medial ideology: the assumption that the digital age knows neither of material forms of inscription nor of forensic traces left beyond the ephemeral, infinitely malleable, and endlessly fungible flickering of signs on […]

Computer Poems and Codework: Redefining Subjectivity for the Digital Age Kurt Beals This paper considers how poets have responded to the changing function of language in the digital age, and specifically how they have developed models of hybrid subjectivity to replace the traditional lyric subject. The first computer poems were written in 1959 in Germany, […]

Intersections of Music, Politics, and Digital Media: Bandista Ela Gezen Bandista, a self-described music collective, was founded in Istanbul in 2006. Through framing texts provided on their website – in Turkish, English, Spanish and German – the band proposes to sing for a world without borders and classes, characterizing their performance as “situationist.” Their internationalist […]

Entertaining Germany in the Digital Age: The Israeli-Palestinian Conflict in Markus Flohr’s Wo samstags immer Sonntag ist (2011) Isabelle Hesse As the recent controversy surrounding the publication of Günter Grass’s poem ‘Was gesagt werden muss’ (2012) confirms, Germany’s relationship with Israel is still an uneasy one, and one that is rarely marked by criticism. In Markus […]

Mimicking the Avant-Garde: Intellectual and Artistic Activism in the Digital Age Patrizia C. McBride The paper examines the recurrence of formal structures and tropes drawn from the European avant-garde (Futurism, Dadaism, German and Russian Constructivism) in the theorization of a digital turn that has unfolded in English-language scholarship of the past two decades. In focusing […]