Click here to visit the full volume of Your Homeland Is Our Nightmare (2021). by Hengameh Yaghoobifarah TRANSIT vol. 12, no. 2 Translated by Jonas Teupert Download PDF A friend and I walk through the museum quarter of a West-German city, surrounded by a bunch of tourists. There are plenty of exhibitions, but none can […]

Click here to visit the full volume of Your Homeland Is Our Nightmare (2021). by Deniz Utlu TRANSIT vol. 12, no. 2 Translated by Jon Cho-Polizzi Download PDF – 1 – The year I took my high school exit exams,[1] U.S. forces brought Murat Kurnaz of Bremen, Germany to Guantánamo, mistakenly believing him to be […]

Click here to visit the full volume of Your Homeland Is Our Nightmare (2021). by Fatma Aydemir TRANSIT vol. 12, no. 2 Translated by Be Schierenberg Download PDF Fake smile, harem pants flowing, she comes bouncing towards me and says she gets it now: why I had gotten the interview. “MIGRANT BONUS!” Her words hit […]

Click here to visit the full volume of Your Homeland Is Our Nightmare (2021). by Sasha Marianna Salzmann TRANSIT vol. 12, no. 2 Translated by Lou Silhol-Macher Download PDF I will never know what it means to be invisible. I will never know how it is to be able to kiss carelessly in the park, […]

by Sabine Scho TRANSIT vol. 12, no. 1 Translated by Bradley A. Schmidt Download PDF Translator’s Introduction Sabine Scho’s work is hard to pin down. The German publisher of Animals in Architecture—Kookbooks—is largely dedicated to contemporary poetry, perhaps leading one to an over-hasty taxonomy. Upon closer inspection, Scho’s work, in particular Animals in Architecture, is […]

by Mikael Vogel TRANSIT vol. 12, no. 1 Translated by Jon Cho-Polizzi Download PDF Translator’s Introduction Is it coincidence or fate that a writer with the last name ‘bird’ would take such interest in his namesake? Perhaps it’s both, but Dodos auf der Flucht. Requiem für ein verlorenes Bestiarium [Dodos on the Run: Requiem for […]

TRANSIT vol. 11, no. 2 Edward Muston Download PDF Acknowledgments I am very grateful to Fatima Naqvi for introducing me to Flašar’s works. I am also indebted to the editors and reviewers for helping improve this article with their thoughtful comments and suggestions. Abstract Through a close reading of the works by the young Austrian […]