Towards a European Postmigrant Aesthetics: Christian Petzold’s Transit (2018), Phoenix (2014), and Jerichow (2008)
TRANSIT Vol. 13, No. 1 Jennifer Ruth Hosek Download PDF Abstract A contested polity and an imagined community, Europe is confronting a myriad of political, economic, and climatic shifts. Ethnographer Regina Römhild has recently argued that understanding Europe as homogeneous and clearly demarcated inaccurately conjures a truncated White entity quite distinct from that which its […]
“Biohaus”: The Bauhaus and the Biopolitics of Global Space
TRANSIT Vol. 13, No. 1 Aron Korozs Download PDF Abstract Since the fall of the Berlin Wall, art historians and urban studies scholars have been pleading for a more nuanced analysis of the Bauhaus in order to divorce from the one-sided affirmative reading of the iconic German art school. Yet, within the prevailing heroic narrative […]
Not Another Exilic Movie: Alienation and the Everyday in Shahid Saless’s Reifezeit and Tagebuch eines Liebenden
TRANSIT vol. 12, no. 1 Kumars Salehi Download PDF Abstract When Sohrab Shahid Saless has been acknowledged, he has generally been placed between nations, in a position of dauntingly uncategorizable otherness as an exilic filmmaker reduced to the interstices of Iran and Germany whose films are best interpreted according to autobiographical details. For his part, […]
The Currency of Europe? Representing Unified Europe as Film in the Age of the Euro
TRANSIT vol. 10, no. 2 Sasha Rossman Download PDF Abstract This paper addresses attempts to invent a representational form for Europe in the early 2000s. This was a key period of European Union expansion during which the Euro was introduced and European markets became more closely integrated. Yet in the age of the Euro, the […]
Ernst Lubitsch & the Transnational Twenties: The Student Prince in Old Heidelberg (USA 1927)
TRANSIT vol. 10, no. 2 Rick McCormick Download PDF Abstract Ernst Lubitsch epitomized the transnationalism of the cinema in the 1920s as the first German director to come to Hollywood and one who brought over a number of German film artists to Hollywood over the course of the decade. In America he followed developments in […]
Film Review: Auf der anderen Seite (The Edge of Heaven)
Posted in conjunction with the course Multicultural Germany in fall semester 2015. Author: Kenneth Cromer The Edge of Heaven (2007), directed by German-Turkish director Fatih Akın, is an award-winning German-Turkish film that exemplifies the convergence of German and Turkish cultures in many regards, including heritage, language and lifestyle. Beyond the masterfully crafted intersecting storylines, an […]
Film Review: Auf der anderen Seite (The Edge of Heaven)
Posted in conjunction with the course Multicultural Germany in fall semester 2015. Author: Seri In The Edge of Heaven is a 2007 drama film written and directed by Turkish-German Fatih Akın. This film, set in Germany and Turkey, is in omnibus format in that it consists of three different episodes of ‘Yeter’s Death,’ ‘Lotte’s Death,’ and […]
Film Review: Am Rand der Städte (On the Outskirts)
Posted in conjunction with the course Multicultural Germany in fall semester 2015. Author: Angel (Jingwei) Li Am Rand der Städte (On the Outskirts) Film Production Studio: Harun Farocki Filmproduktion Running Time: 83 min DVD Release Year: 2007 Director: Aysun Bademsoy Writer: Aysun Bademsoy -Alone but not lonely. The documentary is a compilation of individual interviews […]
Film Review: The Swissmakers (Die Schweizermacher)
Posted in conjunction with the course Multicultural Germany in fall semester 2015. Author: Karla Palos The 1978 film Die Schweizermacher (The Swissmakers) is a good cop/bad cop comedy directed by Rolf Lyssy which dramatizes the bureaucratic exchanges between immigration officials and immigrants applying for Swiss citizenship. The film focuses on two officials: Walo Lüönd, who plays […]
Film Review: Dirt for Dinner (Dreckfresser)
Posted in conjunction with the course Multicultural Germany in fall semester 2015. Author: Cara Bohmann Dreckfresser – Dirt for Dinner This documentary from 2000 by Branwen Okpako tells the story of Samuel Njankouo Meffire, son of a Cameroonian father and German mother, Samuel became a figurehead for diversity in the city of Dresden when his portrait […]