Narratives and Counternarratives of German Borderscapes in Olivia Wenzel’s 1000 Serpentinen Angst
TRANSIT vol. 14, no. 2 by Dora Rusciano Download PDF Introduction The emerging field of border studies begins with the assumption that traditional correlations between borders, territories and national identities are becoming increasingly tenuous and underscore the relevance of fiction in bordering processes. In addressing the role of borders in cultural negotiations, works like Border […]
“With whose blood were my eyes crafted?”
Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016)1 TRANSIT vol. 14, no. 2 by Roy Grundmann Download PDF Introduction Over the past decade, the splendid vista of the open ocean as it may be experienced, for example, by Mediterranean cruise tourists from aboard a large ship, has been […]