TRANSIT vol. 10, no. 2 Susanne Baackmann Download PDF Abstract The future of Germany’s murderous past is now being reconsidered by a new generation of artists who have to navigate an increasing distance to the Third Reich and its remaining witnesses. Thus it is not surprising that recent postmemory work registers shifts, both with respect […]

TRANSIT vol. 10, no. 2 Sara F. Hall Download PDF Abstract The controversial 2012 ZDF mini-series Unsere Mütter, unsere Väter/Generation War epitomizes German “historical event television,” a broadcasting trend aligned with the recent tendency to normalize the nation’s relationship with its past. Reaching beyond the borders of the narrative drama, the series’ producers created and […]

TRANSIT vol. 10, no. 2 Barbara Kosta Download PDF Abstract The following paper explores the relationship between Josef von Sternberg’s 1930 film The Blue Angel and Edward Dmytryk’s 1959 remake to consider what happens when an “original” film is repurposed to address another socio-historical time period, and cultural and national setting. The similarity and, more […]

TRANSIT vol. 10, no. 2 Nancy P. Nenno Download PDF Abstract In 2016, Black German Studies celebrates the 30th anniversary of the publication of Farbe bekennen: Afrodeutsche Frauen auf den Spuren ihrer Geschichte. The result of the encounter of Black German women in Berlin with Afro-Caribbean American activist-poet Audre Lorde in the mid-1980s, this text […]